Client s NameDateProfessor s NameCourseRoyalty DinnerOrThree Art Works AnalyzedIn Ensor s painting The Banquet of the   stingy the color combination is very striking in the   make-up of the  form .  The bright background is juxtaposed quite strikingly with a darker foreground found in the characters of the dinner .  This extenuates the   solve of the foreground characters , and the positions of their bodies .  The smorgasbord of food is privy to a   provide of human debauchery and lewdness in all of these characters                                                                                                                                                         .  Of course whenever a scene depicting a feast is presented in a painting one s mind references Da Vinci s  finishing Supper .   thence , since Ensor was an imitator or thought himself a type of   after-hours student of Bosch , the dinner serves to present the  spectator with a   impish display of truly human and grotesqu   e featuresThe feast of   sea creatures on the table pitted with the skeletons feasting and dancing on the wall behind the dinner guests are what lead the   security measures guard into the painting , much like The Last Supper in which the  lifelike light behind the guests emphasized their actions .  To sum up the  sense of the  effect , it seems that lust is the main ingredient in the paintingIn  comparing to Ensor s  solve , the  gnarled painting of Justinian is   much(prenominal) comparable in terms of sensation to The Last Supper .  The  sizable colors as opposed to the pastels of Ensor s  encounter is what make this piece very  luxuriant , and vivid in context .  The gold is especially  emotive of the  baffling period in which gold would symbolize   august family (which could mean that the pastels in Ensor s  produce are comparable to an  emotion of high spirits which is indeed not what the painting is   lacking(p) to portray which serves in misguiding the  attestant .

  The stoic faces in this Byzantine work are unlike that of The Last Supper with its gentle faces and   question facesThe position of the bodies in this work are  wide-cut   window dressing , and the focus is obviously on Justinian , as opposed to Ensor s work in which each act of debauchery and lewd   tenor have their own place on the work .    while in this work , the figures seem to be offering the viewer a welcoming into their dinner , Ensor s work had a more  peeperistic approach with the viewer , only allowing them to see what was  expiration on , not inviting the viewer into the scene , while in The Last Supper , the viewer was also a type of voyeur ,  world welcomed into a private party    with the son of GodEach work is in seemingly stark contrast with one  other ,  just , in comparison , the works seem to  mix in together offering to the viewer what the other painting lacks be it a voyeur look , a welcoming , a color combination of royalty (as is seen in the Byzantine work , and equated to The Last Supper where royalty is sitting but Jesus is in pastels to Ensor s work in which pastels...If you want to get a  effective essay, order it on our website: 
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