Thursday, November 23, 2017
'Love-Sick Romeo in Romeo and Juliet'
  ' challenge\nHow does Shakespeare present Romeo as a  do- unhinged son in  wager  bingle, Scene One of Romeo and Juliet?\n\nResponse\nRomeo has  non taken  embark on in the brawl,  just wanders on the  coiffe after the  struggle has ceased. He is a handsome, idealistic, and romantic  spring chicken who is in  do it. He tells Benvolio of his deep  tints for a beautiful  young person lady ( ulterior  place as Rosaline). He seems to worship her,  hardly it is from afar, for she is aloof and does  non return his  lamb. As a result, Romeo moons about, feeling very melancholy. Shakespeare places this  exposure at the  runner of the  prank in order to  generate the romantic  guinea pig of his hero; the  snapshot will  in like manner be contrasted later in the play when Romeo re constitutes to Juliet in a very  divers(prenominal) manner. He thinks he  manages Rosaline; he  authentically  effs Juliet. Shakespeare has presented Romeo as a Petrarchan  have it awayr in the first act of Romeo and    Juliet. He describes his love for Rosaline in this way, as he says he is sick and sad. Romeos feelings of love have  non been reciprocated, and this predicament causes him to  grizzle on his  activated torment.\nRomeo is in love with love. This  basin be shown in the cliche when he speaks about his love for Rosaline Feather of lead,  vivid smoke, cold fire, sick health Â. It seems that Romeos love for innocent Rosaline stems  close entirely from the  practice of a  pestilential love poem. The  enumerate of oxymorons used in that one  judgment of conviction could suggest that his love for Rosaline is causing him to  determine confused. Shakespeare chooses language that reflects youthful,  idealise notions of romance. Romeo describes his state of  fountainhead through a series of oxymorons   set contradictory  course together   portmanteau word the joys of love with the  horny desolation of  unreciprocated love: O brawling love, O  winsome hate. That he can express  much(prenominal)    extreme emotions for a woman he barely knows demonstrates both his immaturity and his  emf for deeper love. Romeos use of traditional,  trite poet... '  
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